线 line

御村纱也

Saya Mimura

面板混合材料

mixed technique on panel

h606 w410 d25

2021

“所见或所感转瞬即逝，永远不会重复。在这种转瞬即逝的场景中我感受到了美。我的创作是拾取这些场景，使用绘画或摄影来保存这些容易被忽视的、微不足道的现象，除非你有意寻找它们。一旦保存下来，我就以丝印或绘画的形式赋予它们新的存在。选择表面纹理和颜色就像是用手去抓无法触摸的东西，比如泡沫的气味。描绘这样一个短暂事件的过程本身就是另一个短暂事件。”

“Something seen or felt is a scene only occurring on that one occasion, never to be repeated. I sense beauty in such transient, ephemeral scenes. My work is the process of picking up such scenes, using drawing or photography to preserve the otherwise insignificant phenomena that you would be unlikely to notice unless you were deliberately looking for them. Once preserved, I give them new existence as silkscreen prints or paintings. Choosing surface textures and colors seems akin to grasping something untouchable, like the scent of bubbles, with my hands. And the process of depicting such an ephemeral event is in its own way another ephemeral event.”

空白 034. Blank 034.

冈田 佑里奈 Yurina Okada

面板，造型粘贴，图片 Panel, modeling paste, photo

h1167 w910 d50

2022

“该作品是由无法控制的、偶然的、不可重复的事物组成的。将图像转移到材料上并在材料中作出裂缝让图像运动起来。修改照片和图像之间的关系就像我将自己与照片联系起来的方式。迎接这一挑战意味着开创一种新的摄影方法。”

“This work is composed of uncontrollable, accidental, unrepeatable occurrences. Transferring the image to a material and inducing cracks in the material gives the image movement. Modifying the relationship between the photograph and the image like this is a way of connecting myself to the photograph. Taking up this challenge means pioneering a new approach to photography.”

呼吸 Breath

木津本丽Rei Kizumoto

丙烯板画acrylic on panel

h910 w1167 d40

2021

风暴前夕 Before the storm

木津本丽Rei Kizumoto

布面丙烯 acrylic on canvas

h727 w606 d20

2021

枝叶:2 Foliage:2

木津本丽Rei Kizumoto

丙烯板画 acrylic on panel

h530 w455 d20

2021

“从小开始，植物就以各种形式进入了我的生活。每棵树或每朵花都有自己原本的形状，但我们在日常生活中会将这些植物变成各种形状。我的创作包括使用颜料制作植物碎片和彩色平面，思考如何在空间中组合颜色，将它们像拼图一样放在画布上。有时为了更加协调，会把它们切开或撕开。对我来说，绘画是一个在有机植物形状和无机彩色平面之间来回穿梭的过程。” 

“Plants have made their way into my life in various forms ever since I was a child. Each tree or flower has its own natural shape, but we change the shapes of these plants in our daily lives. My practice involves using paint to produce pieces of plants and planes of color, and then, thinking of how the colors combine in the space, placing them together on the canvas like a puzzle, sometimes cutting or tearing them to fit. To me, painting is a process of going back and forth across the border between organic plant shapes and inorganic planes of color.”

景观#3 Landscape #3

新井 碧

Midori Arai

布面油画oil on canvas

h910 w652 d50

2021

“基于生命是有限的这一本质思考，在适合与自然共存的时代，我的画布是由实体的笔触和轮廓，以及下意识绘制的线条和空白组成的。这种方法往往能够反映人体的情绪和体内的噪音，将艺术家时间的流逝带入画布，留下的痕迹即是产生的画作。”

“Based on the concept of thinking about the limited nature of life, as appropriate for an age of coexistence with nature, my canvases are compositions of strokes and outlines endowed with physicality, along with subconsciously drawn lines and blank spaces. This approach readily reflects emotions and noise from the human body, bringing the passage of the artist’s time into the canvas and producing paintings that act as traces.”