呼唤 Call

鲛岛ゆい Yui Samejima

棉布、油画、面板

cotton cloth,oil on panel

h350 h450 d35

2020

海路 Sea road

鲛岛ゆい  Yui Samejima

棉布、油画、亚克力、面板cotton cloth,oil,acrylic on panel

h900 h1000 d35

2020

普通图片滴管（吸管）Ordinary Picture Dropper (pipet)

鲛岛ゆい  Yui Samejima

棉布、油画、亚克力、面板 cotton cloth,oil,acrylic on panel

h530 w530 d25

2018

标点字符#2 Punctuation #2

鲛岛ゆい  Yui Samejima

棉布、油画、面板cotton cloth,oil on panel

h1000 w803 d35

2017

呼唤（棕榈树）Call (palm tree）

鲛岛ゆい  Yui Samejima

棉布、油画、亚克力、面板 cotton cloth,oil,acrylic on panel

h350 w450

2021

“我以‘连接有形与无形’为主题创作和展出画作。我开始质疑信仰这个概念，以及相信“无形之物”的灵性，并尝试用所有感官去感受它,它自古以来就在潜意识中植根于人们心中。为了用触觉来把握仅靠视觉无法理解的那些，我创造了名为 yorishiro 的小物体，并由此扩展出各种图像碎片，再从多个角度将它们组合起来，由此构建画作。通过在画布上混合‘真实’和‘想象’，我试图将‘有形’和‘无形’连接起来，或展示两者之间的界限。”

“I create and exhibit paintings based on the theme of connecting the visible and the invisible. I began to question the concept of faith, and the spirituality of believing in the invisible and trying to feel it with all senses—which has been rooted unconsciously in people since ancient times. To use the sense of touch to grasp what cannot be understood by sight alone, I create small objects that I call yorishiro, and construct paintings by taking fragments of images that expand from there, combining them from multifaceted perspectives. By mixing the ‘real’ and the ‘imaginary’ on the canvas, I attempt to connect the visible and the invisible or show the boundaries between the two.”